In the gaming world everyone loves the shiny, new thing. But when that fascination gets in the way of appreciating enduring quality, it should be resisted. Even though several years past its release date, now, I still say that, in the category of free games, still the top of the line in the best games for PC remains this swell bossa nova noir game, as I like to call it, Gravity Bones. A delightful standalone game, it immerses the player in a kind of avant garde art piece, functioning as a first person player mode, where we find ourselves strolling through a world of spy-like intrigue.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
Fine and good, but why do I rave about it so, you might ask. The great fun in this game comes from both its experience-based playing method as well as its strikingly realized aesthetic world. Calling this a first-person game, while accurate, doesn't do justice to its originality. This one is kind of a new genre all of it own: bossa nova noir!
It does have a story, but delightfully not one of the color-in-the-lines type stories that are so common in today's gaming world. Like a great avant garde film, the story emerges impressionistically and is subject to a whole bunch of interpretation.
Just a few brief moments after starting, the player is injected right into the action. You discover yourself stepping off an elevator amid some sort of Euro-spy scene. Even as the elevator descends (which is kind of funny, down from where exactly are you coming?), you're aware of coming into dressed guests of some black tie cocktail party. The fete is spread out over a series of terraces overlooking breathtaking vistas of a mountain enveloped lake. A cool bossa nova sound track accompanies your meandering through the crowd of squares (inside joke). You're initial mission has already begun.
This first level is a quicker and simpler mission that really serves as a tutorial for the player to learn the game's world and rules. It is quickly completed. The second level is more testing and in some ways interesting -- but no less atmospheric. The mission here is more elaborate and complicated. Now, far from the sunny and broad vistas of the mountainside terrace, we find ourselves travelling through deserted corridors and across exterior catwalks on a stormy night.
There's little to dislike about this exquisitely put together game, but I do have one complaint: I could have done just fine in the absence of the clue cards. Personally, I entirely ignored them and figured out the missions just through investigation and exploration. That was way more fun. The cards weren't needed and I would have preferred not having them as a distraction in the corner of the screen. At the very least they should be optional. It is just a minor complaint, though.
A special word has to be said about the aesthetics of the game. They're almost worth the price of admission alone (even if the admission wasn't free!) I love that the creator passed over the standard polygon "realism" so run of the mill in today's games and chose instead a bold creative vision. It's both beautiful and fun. There's an element of self-mockery in the whole spy thing, but it never falls into cloying irony, which would have ruined the fun of it for me.
Though short and sweet, for play and aesthetics alike, this game is a real treat. It's definitely still our number one choice among the best games for PC in the free category.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
Fine and good, but why do I rave about it so, you might ask. The great fun in this game comes from both its experience-based playing method as well as its strikingly realized aesthetic world. Calling this a first-person game, while accurate, doesn't do justice to its originality. This one is kind of a new genre all of it own: bossa nova noir!
It does have a story, but delightfully not one of the color-in-the-lines type stories that are so common in today's gaming world. Like a great avant garde film, the story emerges impressionistically and is subject to a whole bunch of interpretation.
Just a few brief moments after starting, the player is injected right into the action. You discover yourself stepping off an elevator amid some sort of Euro-spy scene. Even as the elevator descends (which is kind of funny, down from where exactly are you coming?), you're aware of coming into dressed guests of some black tie cocktail party. The fete is spread out over a series of terraces overlooking breathtaking vistas of a mountain enveloped lake. A cool bossa nova sound track accompanies your meandering through the crowd of squares (inside joke). You're initial mission has already begun.
This first level is a quicker and simpler mission that really serves as a tutorial for the player to learn the game's world and rules. It is quickly completed. The second level is more testing and in some ways interesting -- but no less atmospheric. The mission here is more elaborate and complicated. Now, far from the sunny and broad vistas of the mountainside terrace, we find ourselves travelling through deserted corridors and across exterior catwalks on a stormy night.
There's little to dislike about this exquisitely put together game, but I do have one complaint: I could have done just fine in the absence of the clue cards. Personally, I entirely ignored them and figured out the missions just through investigation and exploration. That was way more fun. The cards weren't needed and I would have preferred not having them as a distraction in the corner of the screen. At the very least they should be optional. It is just a minor complaint, though.
A special word has to be said about the aesthetics of the game. They're almost worth the price of admission alone (even if the admission wasn't free!) I love that the creator passed over the standard polygon "realism" so run of the mill in today's games and chose instead a bold creative vision. It's both beautiful and fun. There's an element of self-mockery in the whole spy thing, but it never falls into cloying irony, which would have ruined the fun of it for me.
Though short and sweet, for play and aesthetics alike, this game is a real treat. It's definitely still our number one choice among the best games for PC in the free category.
About the Author:
If you have the news on the best pay games for PC, you have to check out Mickey Jhonny's picks of the best games for PC. Those keen on the joys of emersive, parallel experiences will love his article over at Pretty Much Dead Already on the phenomenon of the Walking Dead Fanfiction .
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